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                <text>Lima [PE] : Ministerio de Cultura : Viceministro de Interculturalidad</text>
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                <text>B_LN_10475+
&lt;p&gt;&lt;a href="https://centroderecursos.cultura.pe/es/registrobibliografico/manual-para-el-empleo-del-awaj%C3%BAn-en-la-administraci%C3%B3n-de-justicia" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Escritura y Pensamiento, V. 22, N° 46, 2023 </text>
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                <text>Lima [PE] : Universidad Nacional Mayor de San Marcos [UNMSM] : Facultad de Letras y Ciencias Humanas ; Consejo Superior de Investigaciones</text>
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                <text>H_P_8685+
&lt;p&gt;&lt;a href="https://doi.org/10.15381/escrypensam.v22i46.24689" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>[ref. a revista fundada por José Carlos Mariátegui, 1920's]</text>
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                <text>Para los shipibo-conibo del oriente peruano, la producción artística, que hoy en día se limita principalmente a la cerámica, los textiles y el tejido de cuentas, constituye un medio de identificación tribal y una diferenciación positiva frente a los blancos, los mestizos y, como ellos mismos lo expresan, los indígenas "salvajes". Intentaré demostrar que los diseños shipibo son la parte visual de un sistema complejo que incluye las bellas artes, la música, la medicina y la cosmología, estrechamente entrelazados, con el chamán como agente conector. Se supone que sus antepasados ​​en la profesión, "los que ven", crearon los diseños, los guardaron fielmente y los copiaron con muy pocas variaciones e inscripciones a lo largo de muchas generaciones. Se ha dicho a menudo que el significado exacto de los diseños se ha perdido irremediablemente. Los artistas difieren en la denominación e interpretación de los elementos de diseño, por ello nunca se ha encontrado un significado fijo para un trazo específico de un solo kené. Sin embargo, al menos  el diseño de la "Gran Boa", el ronin kené, tiene un significado generalmente reconocido. Ocupa un lugar destacado en el pensamiento shipibo, designando una región importante del cosmos. El diseño puede ser percibido por chamanes bajo efecto del ayahuasca. Es musicalizadosus cantos, y pintado en vasijas de cerámica por artistas femeninas.&#13;
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                <text>pp. 23-35</text>
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&lt;p&gt;&lt;a href="https://www.sag-ssa.ch/index.php/fr-fr/bulletin-ssa-la-revista/bssa-11-20-1956-1963" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.sag-ssa.ch/bssa/pdf/bssa55-56_06.pdf" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Cf. &lt;a href="https://cendoc.chirapaq.org.pe/items/show/5985" target="_blank" rel="noreferrer noopener"&gt;H_AmPe_1994_24_PE_5879+&lt;/a&gt;</text>
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Using stories to deliver your message [Usar historias para transmitir su mensaje]</text>
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