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&lt;p&gt;&lt;a href="https://archive.org/details/eliade-mircea.-mito-y-realidad-1963-1991/" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>[01]&#13;
Presentación. Rutas y constelaciones sobre Gamaliel Churata &#13;
Elizabeth Monasterios Pérez&#13;
Meritxell Hernando Marsal&#13;
Helena Usandizaga Lleonart&#13;
11-23</text>
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                <text>[02]&#13;
El libro de los Anales de Puno : El archivo histórico que nos dejó Churata para emprender una reescritura de la historia de Puno&#13;
Elizabeth Monasterios Pérez&#13;
25-44</text>
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                <text>[03]&#13;
Editorial Titikaka Puno (1926-1930). La producción editorial en el Perú&#13;
Ulises Juan Zevallos Aguilar&#13;
45-58&#13;
</text>
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“Por la palabra se conoce la dirección del espíritu”: Gamaliel Churata y la vanguardia en Chirapu [1928]&#13;
Alex Hurtado Lazo&#13;
59-74</text>
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                <text>[05]&#13;
Gamaliel Churata en Argentina. Mapeo de abordajes críticos&#13;
María Lucila Fleming&#13;
75-84&#13;
</text>
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“Los muertos no mueren ni se van”&#13;
Paola Mancosu&#13;
85-98</text>
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Hito radical: una lectura de Interludio bruníldico&#13;
Aldo Medinacelli&#13;
99-123</text>
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La Nueva corónica y El pez de oro: retablos y palimpsestos&#13;
Dorian Espezúa Salmón&#13;
Boris Espezúa Salmón&#13;
125-140</text>
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Discurso y proceso de amestizamiento del castellano en la “Homilía del Khori Challwa”&#13;
Guissela Gonzáles Fernández&#13;
141-152</text>
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Representación andina en las tojjras narrativas de Gamaliel Churata&#13;
Mauro Mamani Macedo&#13;
153-169</text>
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“La pampa es una llaga sangrante”. Intención discursiva, representación literaria e indigenismo en “El gamonal” (1927) de Gamaliel Churata&#13;
Richard Leonardo-Loayza&#13;
171-192</text>
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Las narraciones germinales de El pez de oro de Gamaliel Churata&#13;
Matías di Benedetto&#13;
193-208</text>
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Razones de lo animal en El pez de oro de Gamaliel Churata y El zorro de arriba y el zorro de debajo de José María Arguedas&#13;
César Augusto López&#13;
209-225</text>
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                <text>[14]&#13;
Vínculos entre la narrativa surrealista y El pez de oro de Gamaliel Churata&#13;
William Paul Keeth&#13;
227-240</text>
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“En los matorrales del ensueño, voy entonando khaswas” : El  modernismo domesticado de Gamaliel Churata&#13;
Helena Usandizaga Lleonart&#13;
241-260</text>
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                <text>[16]&#13;
“El rencoroso desprecio con que las hemos mirado y las miramos”: una reflexión feminista sobre la obra de Gamaliel Churata&#13;
Meritxell Hernando Marsal&#13;
261-280</text>
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Miscelánea&#13;
- La condición utópica del territorio devastado en El año del desierto de Pedro Mairal - Gabriel Alejandro Saldías Rossel, Carolina Andrea Navarrete Gonzáles&#13;
- Cruzar la frontera en las artes visuales y la literatura. Un análisis transmedial entre un esbozo deDon’t Cross the Bridge Before You Get to the River de Francis Alÿs y Señales que precederán al fin del mundo de Yuri Herrera - Rota de Maeseneer, Marie Schoups&#13;
- Aproximaciones al mito de Quetzalcóatl a través del cómic: una lectura didáctica - Mónica Ruiz Bañuls, José Rovira-Collado, Eduard Baile López&#13;
283-333</text>
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Reseñas /&#13;
- Poetas peruanos del siglo XX. Lecturas críticas (2018) de Víctor Vich&#13;
- Nuevas poéticas de la narrativa mexicana (2019) de T. Torres Mojica G.&#13;
335-345</text>
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                <text>Helena Usandizaga [ídem.]</text>
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&lt;p&gt;&lt;a href="https://revistes.uab.cat/mitologias/issue/view/v21" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.academia.edu/44991460/Volumen_21_Rutas_y_constelaciones_sobre_Gamaliel_Churata" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>V. 21, jun. 2020</text>
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