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&lt;p&gt;&lt;a href="https://revistahorizontes.org/index.php/revistahorizontes/article/view/288" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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- Tema 03.  Literatura puneña : Contexto histórico social.  características&#13;
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- Tema 05.  Puno en las crónicas : Ludovico Bertonio y la imprenta en Juli&#13;
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- Tema 08.  Indagación de la identidad : Los agitados años 900&#13;
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- Tema 11.  El ensayo jurídico : Juan José Calle, Santiago Giraldo, José Frisancho&#13;
- Tema 12.  Tres luchadores sociales y las letras : Bustamante, Quiroga, Chuquiwanka&#13;
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- Tema 14.   La palabra primitiva como la lluvia de Oquendo de Amat&#13;
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- Tema 16.  El indigenismo&#13;
- Tema 17.  Gamaliel Churata y El Pez de Oro&#13;
- Tema 18.  El periodismo panfletario :  Federico More, poeta, ensayista, crítico&#13;
- Tema 19.  Definición coyuntural del poema : Efraín Miranda Luján&#13;
- Tema 20.  El folclore y la literatura&#13;
- Tema 21.  Poetas del 50&#13;
- Tema 22.  La "Promoción intelectual Carlos Oquendo de Amat"&#13;
- Tema 23.  La crítica literaria : Cáceres, Aramayo, More, Flores&#13;
- Tema 24.  La narrativa contemporánea : Padilla, Chávez, Valdez&#13;
- Tema 25.  El ensayo social : Augusto Ramos Z.&#13;
- Tema 26.  ¿Existe un teatro puneño?   : Inocencio Mamani, Hugo Bonet&#13;
- Tema 27.   El colectivismo cultural : El grupo de arte Utaraya&#13;
- Tema 28.  El ensayo técnico&#13;
- Tema 29.  La literatura y la música : La canción puneña&#13;
- Tema 30.  Últimos escritores [José Alberto Velarde, Lolo Palza Valdivia, René Apaza Challada, Simón Rodríguez Cruz, Fidel Nina Mendoza, Gabriel Apaza Mamani, Darwin Bedoya, Rodolfo Chávez Luque, Luis Pacho Poma, Walter Paz Quispe Santos, Eddy Sayritupac Flores, Hugo Lipa Baldarrago, León Quispe Huaranca, Luis Rodríguez Castillo, Boris Espezúa Salmón, Alfredo O. Herrera Flores, Victor Villegas Arias, Rudy A. Frisancho, José L. Velásquez, Walter Zea Mamani, Vladimiro Centeno Herrera, Elard Serruto Dancuart, Edgar Huamán Frisancho, Adrián Cáceres Ortega, Christian Reynoso Torres, Camilo Sánchez Ayscorbe]&#13;
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                <text>Tesis sobre la narrativa tradicional de la región de Piura.    Sobrevive un pensamiento mítico de tipo sincrético con clara base autóctona que mantiene vigentes elementos narrativos propios de, o paralelos a los grandes mitos. Mitemas y lógica mítica, aparecen de manera constante en el presente estudio.  El segundo tipo de relato es el de la leyenda, narración tradicional corta de un solo episodio, altamente ecotipificada; se distingue del mito en que sus personajes principales son personas en lugar de seres sobrenaturales.  El nacimiento de las leyendas piuranas coincide con la conquista inca,  que marca en el pensamiento  colectivo regional, la entrada en la Historia. La mayor parte de leyendas no obstante, provienen de décadas anteriores a la reforma agraria. El tercer tipo de textos  son los cuentos populares (maravillosos, de costumbres y de animales, constituyendo estos últimos en realidad un subsistema común a las dos primeras clases, ya sea imitándolos o contradiciéndolos).  En la cuentística hay fuerte impronta hispánica, siendo muchos de los textos cuentos populares españoles aclimatados a la psique indígena de Piura. &#13;
Se han recopilado 71 grabaciones de voz y 3 registros de vídeo en  las ocho provincias de Piura, constituyendo un corpus aproximado de 100 testimonios literarios.</text>
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&lt;p&gt;&lt;a href="http://hdl.handle.net/10651/21881" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://digibuo.uniovi.es/dspace/handle/10651/21881" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Contenido destacado :&#13;
.................................................</text>
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                <text>inglés</text>
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        <name>incidencia política</name>
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        <name>movimiento indígena</name>
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        <name>ONGs</name>
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