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                <text>"El caso que se abordará en este artículo es el de la Amazonia vista a través de las narrativas cinematográficas comerciales, muchas de ellas derivadas de la literatura y llevadas al cine, donde tomarían forma. Para ello se plantea una mirada exploratoria en dos direcciones : En primer lugar, orientada a la actualización de unos imaginarios que circularon desde la época misma de la Conquista y, acumulados en el tiempo, vieron su materialización en el cine, que los adoptó de manera literal, los hizo constitutivos de su trama audiovisual y elementos fundamentales de las descripciones y caracterizaciones con que fue, y ha sido , vista la Amazonia; en segundo lugar, referida a la manera como el cine configuró y legitimó unos regímenes de verdad sobre la Amazonia que se tradujeron en parte del repertorio del conocimiento popular y público sobre su geografía, su naturaleza y sus gentes..."</text>
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Maya maya bainkin, avanzando dando vueltas. Arte y futuro shipibo&#13;
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Selva&#13;
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Matsés&#13;
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Solo árboles&#13;
Roldán Pinedo [Shoyan Shëca] &#13;
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Nii Juinti </text>
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Tiempo ausente&#13;
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Plantas maestras. visiones del bosque&#13;
Dimas Paredes </text>
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Amazonías. muestra colectiva en Matadero-Madrid </text>
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Isla azul. Láminas de Iquitos&#13;
Malú Cabellos</text>
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El alma del río. Parana Tsawa&#13;
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Flora amazónica&#13;
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Tránsitos. De Pucaurquillo a París, ida y vuelta&#13;
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Amazonía abierta. Exposición colectiva de fotografía</text>
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Selva metafísica&#13;
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Rafué, padre del conocimiento&#13;
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                <text>Lima [PE] : Ministerio de Relaciones Exteriores del Perú  : Centro Cultural Inga Garcilaso</text>
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&lt;p&gt;&lt;a href="https://www.redalyc.org/articulo.oa?id=15903009" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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