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- Introducción&#13;
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Sobre lo “indígena” y lo “artístico” : Conceptos, aproximaciones y tomas de posición -- Descolonización y contemporaneidad de “lo indígena” en el arte] &#13;
- Cap. 2. Arte mapuche contemporáneo e impulsos descolonizadores en la obra de Sebastián Calfuqueo y Paula Baeza Pailamilla [Materiales para una breve historiografía del arte mapuche descolonizador -- La obra de Sebastián Calfuqueo: reflexiones sobre la diáspora, el género y la condición champurria -- La obra de Paula Baeza Pailamilla: discusión de imaginarios museales, el cuerpo como wirin (escritura) de performance política]&#13;
- Cap. 3. Visualidades aymaras descolonizadoras: notas sobre Freddy Mamani y Elvira Espejo Ayca [Estéticas descolonizadoras del Estado Plurinacional -- Freddy Mamani Silvestre y la visualidad indígena en el espacio público -- Elvira Espejo Ayca y la interdisciplina descolonizadora]&#13;
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                <text>El quechua como medio de integración andina</text>
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                <text>Grimaldo Flores Solís [Academia Mayor de la Lengua Quechua]</text>
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                <text>Canchis [PE] : rev. Salkamayu</text>
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                <text>s.f.</text>
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                <text>p. 17 [recorte rev.]</text>
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                <text>H_LN_7391++
&lt;p&gt;&lt;a href="https://drive.google.com/file/d/1_e6glpHzSCDmo5z9J-JAv09thYi2kEFc/view?usp=sharing" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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