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&lt;p&gt;&lt;a href="https://vimeo.com/manage/videos/347309324" target="_blank" rel="noreferrer noopener"&gt;Ver [subt. es.]&lt;/a&gt;&lt;/p&gt;
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Fortunata y Juan son dos comuneros que realizan tradicionalmente el tejido en telar de cintura, con lana de oveja.  Nos muestran cómo se realiza el tejido, nos cuentan cómo lo han aprendido de sus mayores,  y hacen un llamado a la juventud para revalorar y seguir manteniendo esta tradición.&#13;
Premio Preferencia del Público en el Concurso de Cortometrajes FILMOCORTO, Perú 2016.&#13;
Cortometraje comunitario en Festival Internacional "Ojo al Sancocho", Colombia, 2018</text>
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&lt;p&gt;&lt;a href="https://vimeo.com/manage/videos/223627034" target="_blank" rel="noreferrer noopener"&gt;Ver [subt. fr.]&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;&lt;a href="https://vimeo.com/manage/videos/275928530" target="_blank" rel="noreferrer noopener"&gt;Ver trailer [subt. es.]&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="https://www.iidh.ed.cr/IIDH/media/1827/diversidad-en-beijing-1996.pdf" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"En mars 1973 quelques centaines de Sioux occupent  le site "historique" de Wounded Knee dans le Dakota du Sud où eut lieu en 1890 le massacre par les   troupes américaipes de trois cents des leurs, massacre qui mit fin aux "guerres indiennes". Cette irruption dans le  monde contemporain de ceux qui à force de n'être qu'une image de cinéma étaient devenus invisibles fit l'effet d'une bombe. Wounded Knee rappela au monde une existence oublièe, enfouie entre les pellicules de films, où en panoramique et plans généraus,  les Indiens n'étaient que force primitive et brutale, élément du décor, entité apte à valoriser le héros pionnier et civilisateur.  Aucun peuple n'a été autant présent sur les écrans du monde et nié en tant que tel.    Du 12 au 22 novembre 1987, leseptième  Festival International du Film d'Amiens était consacré aux indiens d'Amérique du Nord à travers un historique des  images que le cinéma américain en donna du muet à aujourd hui, du western au film fantastique, du  comique à  l'ethnographie pour déboucher déboucher sur le sur le cinéma des indiens eux-mêmes..." //    &#13;
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&lt;p&gt;&lt;a href="https://www.sag-ssa.ch/index.php/fr-fr/bulletin-ssa-la-revista/bssa-11-20-1956-1963" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.sag-ssa.ch/bssa/pdf/bssa51_06h.pdf" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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