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Killka : Vestimenta y registro N° 1&#13;
[Lima : Museo Nacional de Arqueología y Antropología ; Universidad Nacional San Cristóbal de Huamanga, 1992]&#13;
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Killka : Vestimenta y registro N° 4&#13;
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Renacimiento andino: Construyendo un modelo propio / Presentación del libro "Identidad nacional y estética andina: Una teoría peruana del arte"&#13;
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Del indigenismo al renacimiento andino : Una perspectiva interior&#13;
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La mujer peruana : Democracia en acción&#13;
[Filarmonía.  Lima,  N° 53, julio 1991, pp. 14-15]&#13;
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Renacimiento andino / Una estrategia de paz&#13;
[Lima : Museo Nacional de Arqueología y Antropología ; Universidad Nacional San Cristóbal de Huamanga, 1992]&#13;
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Renacimiento andino : Vanguardia americana&#13;
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Renacimiento andino  / Vestimenta, el Pacífico y nueva generación&#13;
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Notas de una nueva generación&#13;
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No al borrón y cuenta nueva&#13;
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Arqueología y la cultura andina&#13;
[Carta a medios.  Lima, setiembre de 1993]&#13;
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Tercera fuerza y cultura andina&#13;
[Carta a medios.  Lima, noviembre de 1993]&#13;
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Nota de prensa sobre la salida de 5 de los cuadernos pedagógicos del Proyecto Killka&#13;
[Lima, agosto de 1993]&#13;
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Proyecto Killka&#13;
[La República. Lima, domingo 12 de setiembre, 1993]&#13;
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Cultura Chancay: Proyecto Killka&#13;
[La Republica. Lima, jueves 21 de octubre, 1993]&#13;
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En homenaje a  Rebeca Carrión Cachot / Arqueóloga peruana estudió Chan Chan&#13;
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Renacimiento andino : Mujer, iconografía e identidad&#13;
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El registro andino: Construyendo un modelo propio&#13;
[Lima, 199?]&#13;
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Cultura andina y comunicación&#13;
[Filarmonía.  Lima, N° 52, junio de 1991]&#13;
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Los calendarios andinos / II&#13;
Carlos Fernández&#13;
[Filarmonía.  Lima, N° 45, noviembre de 1990]&#13;
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Carta a Francisco Miró Quesada, Director del suplemento dominical de El Comercio&#13;
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La papa : Símbolo andino de vida&#13;
Renacimiento andino&#13;
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