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                <text>Este artículo recorre brevemente algunas etapas fundamentales del cine boliviano, desde la etapa silente o muda hasta el periodo contemporáneo. La propuesta es ver el cine como una herramienta de comprensión de la historia nacional, con énfasis en la tendencia indigenista que ha tenido el cine boliviano y cómo esta tendencia refleja momentos claves de la formación de la conciencia nacional boliviana. </text>
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                <text>Revista Nuestra América, N° 3, ene-jul 2007</text>
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                <text>Oporto y Ponte de Lima [PT] : Universidade Fernando Pessoa</text>
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                <text>H_CO_11026+
&lt;p&gt;&lt;a href="http://hdl.handle.net/10284/2433" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://bdigital.ufp.pt/handle/10284/2433" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Contenido /&#13;
- Preámbulo - Nelson Pereira Dos Santos&#13;
- Orígenes, evolución y problemas - Paulo Antonio Paranaguá&#13;
- Para un observador lejano : El documental latinoamericano en España - Alberto Elena, Mariano Mestman&#13;
- El descubrimiento de América Latina por los documentalistas viajeros - María Luisa Ortega&#13;
- La Hispanidad en la pantalla  del No-Do - Vicente Sánchez-Biosca&#13;
- Cineastas [Humberto Mauro (Brasil) - Fernâo Pessoa Ramos -- Jorge Ruiz (Bolivia) - Alfonso Gumucio-Dragon -- Manuel Chambi y los documentales del Cusco (Perú) - Ricardo Bedoya -- Santiago Álvarez (Cuba) - Juan Antonio garcía Borrero -- Jorge Prelorán (Argentina) - Jorge Ruffinelli -- Sara Gómez (Cuba) - Juan Antonio García Borrero -- Geraldo Sarno (Brasil) - José Carlos Avellar -- Vladimir Carvalho (Brasil) - Amir Labaki -- Marta Rodríguez y Jorge Silva (Colombia) - Isleni Cruz Carvajal -- Patricio Guzmán (Chile) - Marina Día López -- Eduardo Coutinho (Brasil) - Concuelo Lins -- Luis Ospina (Colombia) - Isleni Cruz carvajal -- Joâo Moreira Salles (Brasil) - José Carlos Avellar -- Juan Carlos Rulfo (México) - Jorge Ruffinelli -- Andrés Di Tella (Argentina) - Clara Kriger]&#13;
- Películas &#13;
- Cuestionamientos [Anotaciones para los jóvenes documentalistas (1948) - Alberto Cavalcanti -- El free cinema y la objetividad [1960] - Tomás Gutiérrez Alea -- El manifiesto de Santa Fe (1962) - Fernando Birri -- Arte y compromiso (1968) - Santiago Álvarez -- Prioridad del documental (1971) - Fernando E. Solanas y Octavio Getino -- Una imagen recorre el mundo (1975) - Julio García Espinosa -- Postulados del tercer cine (1976) - Carlos Álvarez -- El antidocumental, provisionalmente (1978) - Arthur Ornar -- Provocaciones sobre cine documental y literatura (1980) - Jesús Díaz -- Diálogo sobre cine documental (1986) -  Carlos Velo -- La mirada en el documental y en la televisión (1992) - Eduardo Coutinho)&#13;
- Películas [No paiz das amazonas - Silvino Santos, Agesilau de Araujo, Brasil 1921 -- Sâo Paulo, a symphonia da metrópole - Rodolpho Rex Lustig, Adalberto Kemeny, Brasil 1929 -- Ao redor do Brasil : Aspectos do interior e das fronteiras brasileiras - mayor Luiz Thomaz Reis, Brasil 1932 -- Memorias de un mexicano - Carmen toscano, México 1950 -- ¡Torero! - Sergio Bravo, Chile 1957 -- Tire dié - Fernando Birri, Argentina 1958-1960 -- Araya - Margot Benacerraf, Venezuela 1959 -- O mestre de Apipucos e o poeta do castelo - Joaquim Pedro de Andrade, Brasil 1959 -- Aruanda - Linduarte Noronha, Brasil 1960 -- A condiçâ brasileira - Thomas Farkas, Brasil 1964-1970 -- Carlos, cine-retrato de un "caminante" en Montevideo - Mario Handler, uruguay 1965 -- Por primera vez - Octavio Cortázar, Cuba 1967 -- Coffea arábiga - Nicolás Guillén Landrián, Cuba 1968 -- La hora de los hornos - Fernando E. Solanas, Argentina 1968 -- Hombres de mal tiempo - Alejandro Saderman, Cuba 1968 -- ¡Basta! - Ugo Ulive, Venezuela 1970 -- Escenas de los muelles - Oscar Valdés, Cuba 1970 -- El camino hacia la muerte del Viejo Reales - Gerardo vallejo, Argentina 1971 -- Migrantes - Joâo batista de Andrade, Brasil 1972 -- Juan Vicente Gómez y su época - Manuel de Pedro, Venezuela 1975 -- Chiaraq'e, batalla ritual - Luis Figueroa, Perú 1975 -- Etnocidio : Notas sobre el Mezquital / Ethnocide : Notes sur la région du mezquital - Paul Leduc, México-Canadá, 1976 --  El palacio negro - Arturo Ripstein, México 1976 -- Di - Glauber Rocha, Nrasil 1977 -- Cincuenta y cinco hermanos - Jesús Díaz, Cuba 1978 -- María Sabina, mujer espíritu - Nicolás Echevarría, México 1979 -- Terceiro milênio / Drittes jahrtausend - Jorge Bodanzky, Wolf Gauer, Brasil-Alemania 1981 -- Yo, tú, Ismaelina - Grupo feminiusta Miércoles, Venezuela 1981 --  Imagens do inconsciente - Leon Hirszman, Brasil 1983-1986 -- Las banderas el amanecer - Jorge Sanjinés, Beatriz palacios, Bolivia 1983 -- O som ou tratado de harmonia - Arthur Omar, Brasil 1984 -- Elvira Luz Cruz, pena máxima - Dana Rotberg, Ana Díez, México 1985 -- Vecinos - Enrique Colina, Cuba 1985 -- No les pedimos un viaje a la luna - Mari Carmen de Lara, México 1986 -- Cien niños esperando un tren - Ignacio Agüero, Chile 1988 -- Ilha das flores - Jorge Furtado, Brasil 1989 -- El fanguito - Jorge Luis Sánchez, Cuba 1990 -- Alejandro - Guillermo Escalón, El Salvador-Canafá 1994 -- A arca dos Zo'é - Vincent Carelli, Domique Gallois, Brasil 1993 -- El camino de las hormigas - Rafael marziano Tinoc, Venezuela-Polonia 1993 -- Bananas is muy business - Helena Solberg, Estados Unidos-Brasil 1995 -- Cortázar - TRistán bauer, Argentina 1994 -- The devil never sleeps / El diablo nunca duerme - Lourdes Portillo, Estados Unidos-México 1994 -- Jaime de Nevares, último viaje - Marcelo Céspedes, Carmen Guarini, Argentina 1995 -- Socorro nobre - Walter Salles, Brasil 1995 -- Saluzzi, ensayo para bandoneón y tres hermanos - Daniel Rosenfeld, Argentina 2000 -- Bonanza, en vías de extinción - Ulises Rosell, Argentina 2001 -- Gabriel Orozco, un proyecto fílmico documental - Juan Carlos Martín, México 2002 -- Rocha que voa - Eryk Rocha, Brasil-Cuba 2002]&#13;
- Cuestionamientos [Anotaciones para los jóvenes documentalistas - Alberto Cavalcanti, 1948 -- El free cinema y la objetividad - Tomás Gutiérrez Alea, 1960 -- El Manifiesto de Santa Fe - Fernando Birro, 1962 -- Arte y compromiso - Santiago Alvarez, 1968 -- Prioridad del documental - Fernando E. Solanas, Octavio Getino, 1971 -- Una imagen recorre el mundo - Julio García Espinoza, 1975 -- Postulados del tercer cine - Carlos Álvarez, 1976 -- El antidocumental provisionalmente - Arthur Omar, 1978 -- Provocaciones sobre cine documental y literatura - Jesús Díaz, 1980 -- Diálogo sobre cine documental - Carlos Velo, 1986 -- La mirada en el documental y en la televisión - Eduardo Coutinho, 1992]&#13;
- Bibliografía - Paulo Antonio Paraguaná</text>
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                <text>S_CO_11447+
&lt;p&gt;&lt;a href="https://cinedocumentalyetnologia.wordpress.com/wp-content/uploads/2013/09/cine-documental-en-amc3a9rica-latina.pdf" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://es.scribd.com/doc/95360220/Paranagua-Cine-Documental-en-America-Latina" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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Roger Rumrrill&#13;
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