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                <text>Él es un crítico que siempre ha estado al tanto de los productos cinematográficos nacionales. Conoce muy bien la diversidad de directores y estilos que existen en el país. En la siguiente entrevista expone su punto de vista acerca de hasta qué grado se puede hablar de una  independencia cinematográfica en el Perú.</text>
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                <text>Lima [PE] : Universidad de Lima  [ULima] : Facultad de Comunicación</text>
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                <text>H_CO_11177+
&lt;p&gt;&lt;a href="https://doi.org/10.26439/vent.indiscreta2012.n007.1017" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://revistas.ulima.edu.pe/index.php/Ventana_indiscreta/article/view/1017" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"El surgimiento de Sendero Luminoso en los años 80 en Perú lleva a la “década de violencia” y suscita el interés no sólo de los sociólogos, antropólogos y politólogos sino también de los escritores y los cineastas. Aquí se estudian algunos textos literarios y películas en torno al tema de la violencia ejercida por Sendero, los militares y los políticos, con especial hincapié en escritores como Félix Huamán Cabrera, Alonso Cueto y Nicholas Shakespeare y películas de John Malkovich, Francisco Lombardi y Marianne Eyde"</text>
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                <text>Rita Gnutzmann</text>
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                <text>Letral -  Revista electrónica de estudios transatlánticos de literatura, Nº 3, 2009</text>
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                <text>H_CO_11541+
&lt;p&gt;&lt;a href="http://hdl.handle.net/10481/51247" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://digibug.ugr.es/handle/10481/51247" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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- 1. Viaje triunfal [Cine silente de la Revolución - Ángel Miquel -- Reconstruir el cine documental en el archivo de Salvador Toscano - David Wood]&#13;
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- 3. Enemigos [Pólvora, fusiles y sogas - Carlos Arturo Flores Villela]&#13;
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- 5. Recuerdos del porvenir [Recuerdos del porvenir - Elisa Lozano]&#13;
- 6. Si Adelita se fuera con otro [Ser muy hombre y ser una buena mujer - Alicia Vargas Amésquita -- Entre el amor y la lucha armada - Claudia Arroyo Quiroz]&#13;
- 7. Mirada extranjera La mirada de los otros - Raúl Miranda López -- Centro de documentación y proyecto museográfico]&#13;
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                <text>B_CO_11605+
&lt;p&gt;&lt;a href="https://archive.org/details/aa.-vv.-cine-y-revolucion.-la-revolucion-mexicana-a-traves-del-cine-2010" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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              <description>An account of the resource</description>
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- Introducción &#13;
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- Artes, mujeres y sanación [Actualizar la memoria como instrumento político] - Anahí Rayen Mariluan -- Romper el ciclo de la violencia - Mona Polacca -- Romper el silencio - Liselotte Wajstedt -- Música por el bien común - Sara Monroy -- El cine de nuestras vidas - Antun Nawel -- Nosotras hacemos del cine una herramienta - Rocío Gómez -- El arte del cine indígena - Shaandiin Tome]&#13;
- Impacto&#13;
- Artículos [El cine indígena -- El Joker y el cine indígena : Cuando los extremos se unen -- Sobre la naturaleza y objetivo de una política nacional de cultura -- La CAACI y el cine indígena en Latinoamérica -- El cine y la mujer indígena]</text>
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                <text>Lima [PE] : Chirapaq, Centro de Culturas Indígenas el Perú / Serie : Indígenas en Acción 41</text>
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