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                <text>Miguelina Acosta Cárdenas [Yurimaguas 1887 - Lima 1933] fue hija de una familia dedicada al comercio en el contexto del caucho. Primera mujer que se graduó como abogada en 1920 [en la UNMSM] y que abrazó las ideas del progresismo.  Como tal, integró  la Asociación Pro-Indígena [f. por Dora Mayer]  e hizo activismo obrero en el plano del ensayo [revista Amauta y otros medios] y la litigancia jurídica.  Integrante de asociaciones  internacionales de mujeres y del Derecho, hasta su fallecimiento a los 45 años.</text>
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                <text>Róger Rumrrill</text>
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                <text>Tesis presentada para optar al grado de Doctor en Filosofía &#13;
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                <text>"Esta tesis investiga la literatura indianista de Cuba y Puerto Rico escrita durante el siglo XIX y en una variedad de géneros literarios [poemas, leyendas, novelas]. En específico, esta tesis analiza el desarrollo histórico de esta literatura en ambas islas y los recursos estilísticos que emplean los distintos autores de textos indianistas para articular el pasado indígena de las Antillas..."</text>
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                <text>B_P_10612+
&lt;p&gt;&lt;a href="https://doi.org/10.6082/uchicago.2332" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://knowledge.uchicago.edu/record/2332?v=pdf" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Taínos, siboneyes y guanajatabeyes : El legado indígena cubano</text>
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                <text>Un proyecto de investigación intenta desmontar, a través del arte y la ciencia, que el mito de que las raíces aborígenes de este país ya no existen y que en las montañas de Guantánamo y otros lugares aún se mantienen vivas sus tradiciones y cultura</text>
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                <text>H_PI_10613+
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                <text>Pensar el límite : El símbolo indígena en los proyectos políticos cubanos de principios del siglo XIX</text>
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                <text>"Este artículo investiga la forma en que la literatura cubana reflexionó sobre los pueblos indígenas durante la primera mitad del siglo XIX y utiliza el símbolo de los amerindios para demostrar una disyunción moral entre ellos y el colonizador. En este artículo, llamo la atención sobre la forma en que los independentistas cubanos y los nacionalistas españoles utilizaron esta figura para apoyar sus puntos de vista y crearon así una división en la imaginación criolla cubana..." &#13;
Ref. :   José Martín Félix de Arrate, Miguel González, Manuel de Zequeira y Arango, José María Heredia.</text>
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                <text>Rômulo Monte Alto [Universidade Federal de Mina Gerais]</text>
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                <text>Visitas al patio - Revista de estudios de lingüística y literatura, , V. 15, N° 1, 2021</text>
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                <text>pp. 103–115</text>
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                <text>H_L_10674+
&lt;p&gt;&lt;a href="https://doi.org/10.32997/RVP-vol.15-num.1-2021-3595" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://revistas.unicartagena.edu.co/index.php/visitasalpatio/article/view/3595" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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