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Introducción&#13;
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Primera parte /&#13;
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- Cap. 3. Dimensión histórica del arte popular&#13;
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&lt;p&gt;&lt;a href="https://fundacionbbva.pe/biblioteca-virtual/las-artes-populares-del-peru/" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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- Cap. 2. La investigación arqueológica en el valle del Quilcamayo-Tintiri y sus ocupaciones prehispánicas&#13;
- Cap. 3. Las investigaciones arqueológicas en Chaupisawakasi&#13;
- Cap. 4. Análisis de los materiales arqueológicos de Chaupisawakasi&#13;
- Cap. 5. Chaupisawakasi, el valle del Quilcamayo-Tintiri y la formación del Estado Pukara&#13;
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- Cap. 01. Contra el mito eurocéntrico del occidente primordial&#13;
- Cap. 02. Pioneros islámicos y africanos&#13;
- Cap. 03. Pioneros chinos&#13;
- Cap. 04. Oriente sigue siendo hegemónico&#13;
- Cap. 05. La invención de la Cristiandad y los orígenes orientales del feudalismo europeo, c. 500-1000&#13;
- Cap. 06. El mito del pionero italiano, 1000-1492&#13;
- Cap. 07. El mito de la época de Vasco de Gama, 1498-c. 1800&#13;
- Cap. 08. El mito de 1492 y la imposibilidad de América&#13;
- Cap. 09. Los orígenes chinos de la industrialización británica&#13;
- Cap. 10. La construcción de la identidad racista europea y la invención del mundo, 1700-1850&#13;
- Cap. 11. El lado oscuro de la industrialización británica y el mito del "laisssez-faire"&#13;
- Cap. 12. El doble mito del estado liberal-democrático racional de occidente y la gran línea divisoria entre Oriente y occidente, 1500-1900&#13;
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