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                <text>"El objetivo principal de este estudio es mostrar la concepción sincrética cultural andina, producto de la fusión cultural entre lo indígena y lo europeo, expresada en las obras de platería de la sierra del sur andino peruano, básicamente entre las regiones de Cusco y Puno. Se trata de analizar las obras formal e iconográficamente, contextualizándolas en su tiempo y espacio, es decir, interpretándolas en función de los fenómenos históricos, políticos, económicos, religiosos, ideológicos y socioculturales, y mostrar las sobrevivencias de nociones culturales nativas y el modo de apoderarse de la iconografía occidental en su favor..."</text>
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                <text>"Trece ensayos sobre patrimonio cultural andino y amazónico [siglos XVI - XIX]".  Miguel Zugasti Zugasti [ed.].  Pamplona [ES] : Ediciones Universidad de Navarra S.A. [EUNSA] : Red de Investigadores sobre Patrimonio Cultural Iberoamericano, 2020, 230 p.</text>
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&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=Z97NufUivFE" target="_blank" rel="noreferrer noopener"&gt;Video&lt;/a&gt;&lt;/p&gt;</text>
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                <text>pp. 171-193</text>
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                <text>F_A_11875+
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                <text>Em vista de contribuir para dar maior visibilidade ao tema das atividades artísticas das mulheres indígenas,1 na América Portuguesa, neste texto será apresentado um levantamento e uma análise de alguns relatos históricos da época da colonização — basicamente, crônicas de viajantes e jesuítas —, relacionando esses documentos com objetos artísticos reunidos pelo naturalista Alexandre Rodrigues Ferreira durante a Viagem Filosófica na Amazônia (1783-1792), existentes em acervos portugueses2. Para isso, será estudado o caso da produção de tintas e vernizes, e a preparação e decoração de cuias, pelas mulheres ameríndias pintoras da região do Baixo Amazonas, sobretudo, da Aldeia de Gurupatuba, atual Monte Alegre no Pará // &#13;
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                <text>Mulheres do Brasil : Artes e artistas.  Maria Cláudia Almeida Orlando Magnani, Maria de Lourdes Santos Ferreira [coord.].  Sevilla [ES] : Universidad Pablo de Olavide, 2023 / Serie : Acer-VOS 23</text>
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                <text>pp. 55-82</text>
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                <text>F_M_11852+
&lt;p&gt;&lt;a href="https://www.academia.edu/115505229/As_mulheres_nas_artes_da_Am%C3%A9rica_Portuguesa_ind%C3%ADgenas_pintoras_da_regi%C3%A3o_do_Baixo_Amazonas_no_Par%C3%A1" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Compartiendo buenas intenciones para la paz interior a través de Kené</text>
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                <text>Sara Flores [entrev. a]</text>
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                <text>Culturalsurvival.org, 2 ago. 2023 [en línea]</text>
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                <text>Cambridge MA  [US] : Cultural Survival</text>
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                <text>F_A_11807+
&lt;p&gt;&lt;a href="https://www.culturalsurvival.org/es/publications/cultural-survival-quarterly/compartiendo-buenas-intenciones-para-la-paz-interior" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
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                <text>Sobre la gestión del Shipibo Conibo Center [Harlem, Nueva York] , y su relación en particular, con la maestra shipiba del kené, Sara Flores.</text>
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