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&lt;p&gt;&lt;a href="https://doi.org/10.46476/ra.v1i2.47" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
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                <text>H_AN_9662+
&lt;p&gt;&lt;a href="https://nanzan-u.repo.nii.ac.jp/records/2257" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>El presente artículo es producto de una investigación sobre uno de los motivos más llamativos y recurrentes en las Tablas de Sarhua : La sirena. Realizamos una aproximación a este motivo, que originalmente aparece en la literatura clásica occidental, con la finalidad de explicar las razones de su presencia en el arte andino. Para tal efecto transcribimos algunos testimonios que, desde una cosmovisión netamente andina, dan cuenta de una serie de creencias vinculadas con el ámbito musical, en el que las sirenas juegan un papel central</text>
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&lt;p&gt;&lt;a href="https://doi.org/10.30920/letras.75.107-108.1" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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