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                <text>Indigenismos e indigenismo literario en el Boletín Titikaka [1926-1930]</text>
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                <text>Begoña Pulido Herráez</text>
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                <text>Revista de Historia de América, N°158, ene-jun 2020</text>
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                <text>pp. 223-249</text>
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                <text>H_L_10303+
&lt;p&gt;&lt;a href="https://revistasipgh.org/index.php/rehiam/article/view/580/" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://doi.org/10.35424/rha.158.2020.580" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Vanguardismo a 3800 metros : El caso del Boletín Titikaka [Puno, 1926-1930]</text>
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                <text>Se revisa la publicación Boletín Titikaka que constituye un testimonio del impacto del "arte nuevo" y del de las corrientes "renovadoras", socializantes, indigenistas de la época en un nivel provinciano. Esta publicación da fe no sólo de la existencia de un núcleo provinciano de jóvenes escritores [el llamado "Grupo Orkopata"] partidarios tanto del vanguardismo como del indigenismo literarios,  sino también de la existencia de una "red de intercambios" a nivel continental, una red que funcionaba principalmente a base del canje de publicaciones periódicas en regiones apartada como Puno. </text>
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                <text>Lima [PE] : Biblioteca Nacional del Perú [BNP]</text>
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                <text>H_L_10293+
&lt;p&gt;&lt;a href="https://doi.org/10.51433/fenix-bnp.1984.n30-31.p257-269" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://revistafenix.bnp.gob.pe/index.php/fenix/article/view/337" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Propuesta pictórica del Boletín Titikaka  : Las xilografía de Diego Cunurana</text>
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                <text>Firmadas con el seudónimo “Diego Kunurana”, Demetrio Peralta Miranda [Puno, 1910 – Lima, 1971], dio a conocer un conjunto de xilografías que aparecieron entre 1927 y 1930 en las páginas del Boletín Titikaka, la famosa publicación puneña de vanguardia indigenista. Son, hasta hoy, el primer registro documentado que existe de la obra de este artista. Por su parte, el Boletín Titikaka, dirigido por Gamaliel Churata, líder del Grupo Orkopata, planteó en sus páginas, a través de artículos y textos literarios, una postura ideológica orientada a establecer una estética propia del arte indoamericano.</text>
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                <text>Christian Reinoso</text>
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                <text>pp. 277-298</text>
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                <text>H_A_10300+
&lt;p&gt;&lt;a href="https://revistas.cultura.gob.pe/index.php/historiaycultura/article/view/172" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>El desarrollo del movimiento indígena en Guatemala en el tiempo de la guerra y de la paz</text>
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                <text>Contenido /&#13;
- Introducción&#13;
- Génesis del movimiento indígena&#13;
- La situación general de los indígenas en el país y los inicios de su relación con la izquierda y la guerrilla&#13;
- Situación de los indígenas guatemaltecos en el período del conflicto interno [1980-1990]&#13;
- Movimientos sociales alternativos de la guerrilla: Mayanistas y popularistas&#13;
- Los derechos humanos, violencia y desarrollo de las organizaciones civiles&#13;
- Primeras organizaciones indígenas [CONAVIGUA, CERAJ, CONIC, Defensoría Maya, Usaq’ il Tinamit, Recha’a Tinamit]&#13;
- El periodo de negociaciones de paz&#13;
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&lt;p&gt;&lt;a href="https://www.revistas.una.ac.cr/index.php/EDUCARE/article/view/8591" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
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                <text>Historia Mexicana, V. 46, N° 1 [181], jul-set 1996</text>
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&lt;p&gt;&lt;a href="https://historiamexicana.colmex.mx/index.php/RHM/article/view/2373" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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