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                <text>Taínos, siboneyes y guanajatabeyes : El legado indígena cubano</text>
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                <text>Un proyecto de investigación intenta desmontar, a través del arte y la ciencia, que el mito de que las raíces aborígenes de este país ya no existen y que en las montañas de Guantánamo y otros lugares aún se mantienen vivas sus tradiciones y cultura</text>
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                <text>El País, 17 feb. 2023</text>
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                <text>Madrid [ES] : El País</text>
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                <text>H_PI_10613+
&lt;p&gt;&lt;a href="https://elpais.com/planeta-futuro/2023-02-18/tainos-siboneyes-y-guanajatabeyes-el-legado-indigena-cubano.html" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
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                <text>Pensar el límite : El símbolo indígena en los proyectos políticos cubanos de principios del siglo XIX</text>
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                <text>"Este artículo investiga la forma en que la literatura cubana reflexionó sobre los pueblos indígenas durante la primera mitad del siglo XIX y utiliza el símbolo de los amerindios para demostrar una disyunción moral entre ellos y el colonizador. En este artículo, llamo la atención sobre la forma en que los independentistas cubanos y los nacionalistas españoles utilizaron esta figura para apoyar sus puntos de vista y crearon así una división en la imaginación criolla cubana..." &#13;
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                <text>The Coastal Review : An Online Peer-reviewed Journal,  V. 12, N°  1, article 5, 2022</text>
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                <text>H_P_10611+
&lt;p&gt;&lt;a href="https://digitalcommons.georgiasouthern.edu/thecoastalreview/vol12/iss1/5/" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"La presente propuesta tiene como objetivo el estudio de dos textos con componentes de literatura indígena venezolana –Escrito de Salvaje [1993] y Costado Indio [2001]– del escritor Gustavo Pereira, con el fin de redescubrir los elementos poéticos que encierran la compleja red de rasgos de alteridad discursiva y la búsqueda de una escritura con conciencia crítica del lenguaje del mundo..."</text>
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                <text>Kellys Xiomara García Jaimes</text>
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                <text>Contexto, 2° etapa, V. 13, N° 15 , 2009</text>
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                <text>Mérida [VE] : Universidad de los Andes [ULA]</text>
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                <text>pp. 49-63</text>
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                <text>H_L_10610+
&lt;p&gt;&lt;a href="http://doi.org/10.53766/CONTEX" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://erevistas.saber.ula.ve/index.php/contexto/article/view/10789" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Desde sus orígenes en las primeras décadas del siglo XX, la literatura indigenista se encaminó, desde sus virtudes morales y políticas de redención social y sus defectos de estructura, a su propia transformación y corrección, volviéndose neoindigenista a partir de los años 50, cuando, dentro del mundo indio, despreciado por la ideología dominante, el autor pintó por fin la intimidad del personaje indígena, es decir, el miedo, la ternura, la esperanza, la agonía del mundo del caído.</text>
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                <text>Carlos Eduardo Zavaleta</text>
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                <text>Letras, V. 78, N° 113, 2007</text>
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                <text>Lima [PE] : Universidad Nacional Mayor de San Marcos [UNMSM] : Facultad de Letras y Ciencias Humanas</text>
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                <text>pp. 145-156</text>
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&lt;p&gt;&lt;a href="https://doi.org/10.32997/RVP-vol.15-num.1-2021-3595" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://revistas.unicartagena.edu.co/index.php/visitasalpatio/article/view/3595" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Se aborda las dificultades de la novela indigenista en la construcción de la comunidad indígena como  un mundo aparte y del “Indio” mismo como sujeto estético y literario autónomo. En primer lugar, la narrativa indigenista no es escrita por sus protagonistas ni en su lengua. En segundo lugar, la creación de una comunidad indígena literaria como totalidad homogénea en su interior y netamente diferenciada del mundo blanco/mestizo,  que ofrece poca  verosimilitud. En tercer lugar, se abordan los efectos literarios de la inserción de la comunidad indígena en la comunidad nacional de los Estados latinoamericanos.&#13;
1. Más allá del costumbrismo y el folletín : Matto de Turner -- 2. El indio como campesino y proletario : Cesar Vallejo y Jorge Icaza -- 3. El regeneracionismo etnicista de Alcides Arguedas -- 4. La pérdida de la comunidad: Ciro Alegría -- 5. Las voces de la Nación : Rosario Castellanos -- 6. La patria de las dos naciones: Jose María Arguedas&#13;
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                <text>H_L_10670+
&lt;p&gt;&lt;a href="http://hdl.handle.net/11441/45941" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://idus.us.es/items/51f34fcb-fdf6-4f24-8b74-b3b00d64c289" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"Las páginas que siguen tratarán de esbozar una muestra de los diferentes y aun encontrados planteamientos que animaron y condicionaron la presencia de mitos y leyendas en algunas manifestaciones de la narrativa indigenista, entendiendo por tal aquella que durante buena parte del siglo XX -con algunos antecedentes decimonónicos- se mostró preocupada por la marginación que padecía en Hispanoamérica la población de origen prehispánico, y que se concretó sobre todo en novelas y cuentos preferentemente dedicados a mostrar la explotación injusta del indio que los escritores podían observar"&#13;
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                <text>Mitologías hoy - Revista de pensamiento, crítica y estudios latinoamericanos [Reescrituras del mito prehispánico en la literatura latinoamericana], V. 19, jun. 2019 </text>
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&lt;p&gt;&lt;a href="https://doi.org/10.5565/rev/mitologias.639" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://revistes.uab.cat/mitologias/article/view/v19-fernandez" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://www.saber.ula.ve/handle/123456789/36263" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="https://doi.org/10.17533/udea.elc.12979" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://revistas.udea.edu.co/index.php/elc/article/view/12979" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Sobre la inexistencia de una narrativa indigenista en el Paraguay, siendo paradójicamente  un país totalmente bilingüe.  El indio y el mundo indígena han quedado relegados  en el Paraguay [a 1989] , casi exclusivamente, a la literatura etnográfica.</text>
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&lt;p&gt;&lt;a href="https://doi.org/10.12795/PH.1989.v04.i01.34" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>En la novela indigenista latinoamericana, los autores están preocupados por evitar todo reproche de arte gratuito, de color local, de complacencia al gusto del extranjero por el exotismo. Más bien, con enfoques variados y recursos formales diversos, pretenden agarrarse a lo que constituye su mayor objetivo : La acusación a un orden que no ha sabido ni querido&#13;
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                  <text>Revistas, boletines, semanarios, periódicos, artículos de periódico...&#13;
Acceso público.  </text>
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                <text>La literatura indígena en el Perú</text>
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                <text>Se centra la  atención en la literatura indígena del Perú de inicios del siglo XXI,  analizando las obras de dos autores : Odi Gonzales [quechua] y José Luis Ayala [aymara], cuyas publicaciones bilingües y hasta trilingües han migrado a otros países, perfilando espacios no sólo nacionales sino internacionales en que reproducen valores estéticos de su lengua materna y también adquieren elementos del  lenguaje metropolitano para adaptarlo a sus cosmovisiones indígenas.&#13;
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                <text>Antonio Sandoval Ildefonso [UNAM MX]</text>
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                <text>América Crítica [ Socialidades en los territorios. Notas Críticas], V. 6 N.1, 2022</text>
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                <text>Cagligari [IT] : Università di Cagliari ; CISAP</text>
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                <text>pp. 97-101</text>
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                <text>H_L_10665+
&lt;p&gt;&lt;a href="https://doi.org/10.13125/americacritica/4866" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://ojs.unica.it/index.php/cisap/article/view/4866" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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        <name>quechua</name>
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