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                <text>Jum, el indio impensable de La casa verde y de Mario Vargas Llosa</text>
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                <text>Se explora y desarrolla dos mecanismos de agencia de Jum, el cacique aguaruna : El primero es la lucha por la creación de una cooperativa indígena y el segundo es lo que consideramos un discurso del cuerpo...</text>
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                <text>Andrea Cabel García [Universidad de Lima]</text>
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                <text>São Paulo [BR] : Universidade de São Paulo : Faculdade de Filosofia, Letras e Ciências Humanas : Departamento de Letras Modernas  : Língua Espanhola e Literaturas Espanhola e Hispano Americana </text>
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                <text>pp. 411-436</text>
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&lt;p&gt;&lt;a href="https://www.revistas.usp.br/caracol/article/view/163603" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Abriendo paso a la interpretación en lenguas indígenas : Participación de una intérprete en un juicio emblemático en Perú</text>
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                <text> Esta investigación se enfoca en el proceso de  construcción identitaria de una intérprete de lenguas indígenas para analizar las características de su participación en un juicio oral. Se estudia la trayectoria personal y profesional de la intérprete wampis Dina Ananco durante su participación en el juicio oral Curva del Diablo que procesó a ciudadanos awajún y wampis por las muertes producto del conflicto social del "baguazo" [Amazonas-Perú]</text>
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                <text>Grecia Alexandra Sernaqué Espinoza [UPC]</text>
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                <text>pp. 203-229</text>
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                <text>H_L_9096+
&lt;p&gt;&lt;a href="https://www.revistas.usp.br/caracol/article/view/192905" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Poéticas andinas : Willanakuy willanakuy kasqan, cuento es cuento</text>
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                <text>La narración en los Andes está asociada a la manera como la gente concibe y vive su cotidianidad y la expresa como poética andina. Su comprensión supone cuatro aspectos : [1] los relatos orales aparecen soldados a la comprensión del ser cultural andino; [2] la naturaleza distintiva del relato corresponde a la dimensión de un discurso que se justifica como ejercicio de la palabra; [3] las estrategias propias del relato andino quechua [aymara o en castellano andino] enmarcan la situación del relato ([un tiempo narrativo y una manera de validar lo que se dice]; [4] la palabra viene acompañada de un conjunto de lenguajes que hacen posible su realización. La voz no es posible si no va acompañada del cuerpo. El artículo apela a relatos vigentes que provienen de la lengua quechua,  aymara y del castellano andino</text>
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                <text>Gonzalo Espino Relucé</text>
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                <text>Caracol, N° 9, 2015</text>
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                <text>São Paulo [BR] : Universidade de São Paulo : Faculdade de Filosofia, Letras e Ciências Humanas : Departamento de Letras Modernas  : Língua Espanhola e Literaturas Espanhola e Hispano Americana </text>
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                <text>pp. 129-158</text>
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                <text>H_L_9094+
&lt;p&gt;&lt;a href="https://www.revistas.usp.br/caracol/article/view/98644" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>El telar de los antiguos : Una poética del testimonio quechua</text>
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                <text>La academia no explica por qué en los textos quechuas encontramos mitos, hualinas, watuchikuna [adivinanzas], simbolismo de las plantas [papa, maíz], de los animales, entre otras nociones acerca de la salud, la enfermedad, la distribución social, el ayni, etc. Desde una perspectiva culturalista, se propone encontrar la noción de testimonio que posee el runa, y a partir de ella demostrar que el testimonio quechua es un telar, un tipo de texto con creatividad escrituraria con multiplicidad de imágenes-tejidos.  Esta práctica encuentra correspondencia con la escritura en el sentido amplio de la voz quechua quillca.</text>
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                <text>Sara Milagros Viera Mendoza</text>
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                <text>Desde el Sur, V. 13, N° 3, 2021</text>
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&lt;p&gt;&lt;a href="https://revistascientificas.us.es/index.php/araucaria/article/view/1170" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="https://revistascientificas.us.es/index.php/araucaria/article/view/965" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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